His favourite genre, however, remained still life ( nature morte), as exemplified by numerous Cubist works, his Gueridon series (1927-30) and his Atelier series (1949-55). He was also influenced by Primitivism/Primitive Art. One of the great abstract painters of the 20th century, Braque was exceptionally innovative in his early career, producing works involving collage, papier colle, printmaking and sculpture. Among Braque‘s most notable paintings are: Houses at L’Estaque (1908, Berne) Big Nude (1907-8, private collection) The Portuguese (1911, Kunstmuseum, Basel) Man with a Guitar (1911, Museum of Modern Art NY) The Musician (1917-18, Kunstmuseum, Basel) Fruit on a Tablecloth with a Fruit Dish 1925, (Musee National d’Art Moderne, Paris) and Woman with a Mandolin (1937, MoMA, NY). After this he worked closely with Picasso with whom he formulated Analytical Cubism and later, Synthetic Cubism. Initially a follower of Fauvism, Braque was greatly influenced by the work of Paul Cezanne, which led him to initiate a type of prototype Cubist painting in landscapes he completed at L’Estaque. Along with this Neoclassicism went the group of works inspired by the art and culture of ancient Greece: the etchings for Hesiod’s Theogons (1931), the four remarkable engraved plaster casts (platres graves) on mythological themes, also made in 1931 ( Herakles, Aime Maeght Collection, Paris), and most of the sculptures.Ī key figure in modern French painting, the artist Georges Braque is chiefly remembered for his abstract art, notably his pioneering work on Cubism – one of the most revolutionary and influential movements of modern art – which he founded in the late 1900s in collaboration with Pablo Picasso (1881-1973). He also created what is exclaimed the first pasted-paper picture by using wallpaper in “ Fruit Dish and Glass.”ĭuring the inter-war years, Braque established himself as France’s leading painter, the inheritor of the national virtues and depository of the classical tradition, which he later defined in his Cahier de Georges Braque: 1917-1947. Braque began to use the stenciling technique to create a feeling of autonomy as such in “ The Portuguese” lettering. It seems to have many views, the space is flattened, and it has a kind of broken contour. It is characterized by the natural colors of brown, gray, and green ( Braque). “ Man and Guitar” is an example of this phase. He became a world-renowned artist and in 1961 he received the highest honor-he became the first living artist to have his works displayed in the Louvre.īy 1911, Braque and Picasso paired up and the analytical phase became full blown. Braque finally won the Carnegie Prize in 1937. He began to stray away from Cubism and began to draw with a flowing technique such as the smooth framework of “ Still Life with Playing Cards.” After this move, Braque experimented with pictures of pagan women, pedestal tables, birds, ancient Greek pottery, and figures. Braque created “ Woman Musician” in 1917, which exhibited the geometric planes and strong colors of synthetic Cubism ( Braque). He began to use more colors and to represent objects through large planes. Braque entered what is called a synthetic phase of Cubism. After a period of healing, Braque returned to his artistic ability in the Cubist movement.
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